September 25, 2008

hey bloggers, wanna crowdsource?

Jeff Howe from Wired is going to be giving away copies of his book, Crowdsourcing, to bloggers, provided they promise to review it.

Neat idea, seems like he's taking the opportunity to his money where his mouth is on crowdsourcing. Wired ran his post explaining how he came to the decision to do this.

Don't have a blog? Well, all you've got to do is provide him with a URL for the forum that you plan to review it on. Anyway, as of today he's still taking applications despite an overwhelming response.

September 17, 2008

sound of silver talk to me...

Another brief entry while I ponder the 'follow up' to my end of month blabbering.

Just heard Sounds Like Silver, the remix album to LCD Soundsystem's wonderful Sound of Silver album from last year. As I didn't really read any press about this I thought I'd at least post a heads-up detailing the release.

The compilation is in the same vein as Always Outsiders, Never Outdone and Flip the Switch, two unofficial remix albums (of the Prodigy's "Always Outnumbered, Never Outgunned" and Chemical Brothers' "Push the Button", respectively) that were produced by underground acts. The difference here is that we can see what this crowd can do with a record that's actually good! It seems they've shifted from liberating a disappointing album to simply remixing one in tribute.

The results are worth checking out, especially since it's free.

September 07, 2008

not burning out or fading away...

Since I'm of the opinion that you can't have too many reasons to hate Courtney Love, here.

If the idea of Kurt Cobain-branded footwear isn't repulsive enough, how about the fact that passages from the man's diary will be printed on the products?

Anyway, I'll get to the post referenced at the end of that last entry soon enough; I was pretty sure my humble readership didn't mind a slight change in programming!

August 30, 2008

...the soundtrack to my life?

I haven’t blogged to critique music in quite awhile. I mean sure, I’ve posted about some interesting distribution strategies, but I haven’t really talked about what I’ve been listening to.

There’s a number of reasons for this, but the main one is probably a lack of spare time lately. It’s rare I get the chance to sit down and write a comprehensive review of something, particularly since most of the new music I listen to these days is in transit, at the gym, or at work – not exactly spots where I’d want to start detailing what I thought even if I could. [Note: Since I've recently signed up to twitter, this may change.]

The other reason is timing - quite often by the time I really get around to writing about something, it’s already been out for awhile so it’s not exactly newsworthy - for example, when I finally got around to checking out the new Beck album (which I was hooked on for a week) it had already been out for a few weeks. So if you read album reviews, you probably already know it’s pretty awesome - so why post about it?

More and more lately, I’ve simply forgotten what I think about something. This is particularly problematic with things I listen to once and then archive away to label/sort at a later date…which I don’t end up really getting around to doing. This has become more apparent as this archive has piled up over the years – I’m to the point now where I’ll see a hip band’s sophomore record and then be at a loss of what I actually thought of their debut. A quick check normally tells me if I kept it or not, but if I’m fairly certain I’ve downloaded it and my search comes up empty, I find myself at a loss. And if I’ve kept it, did I love it or just like it just enough? Constantly trying to seek out new music comes with a downside: it can be difficult to revisit things as frequently as I would like.

So, it’s with this in mind that I’ve started using ratings. I’ve tried a few different things which I’ve spoken about in the past, but one site in particular warrants a closer look – Rateyourmusic.

Rateyourmusic is what amazon and metacritic could be if they were organized as well as allmusic’s database. [My ideal music site would be a mix of all of the above with last.fm/imeem streaming support, but that's probably another entry for another day.] Anyway, what you have here is a community-driven ratings system where users can also post written reviews, track their collections, get recommendations, etc.

For the music nerd, RYM's database is where it really shines. A quick look at an artist page will show you which of their releases you’ve rated and how your scores compare to the community average.

Click on an album, and you’ll see a much ‘smarter’ option as you can then view a specific issue of the release. For example, if you’ve got the limited/deluxe version of the new Soulfly record and you rate it on Amazon, it’ll probably at some point recommend the standard release of it to you because it sees them as two different things that appeal to the same consumer – and it may even do the same with international releases, etc. By keeping all issues on a single page, RYM avoids that sort of clutter and confusion. The artist pages also connect related acts, collaborations and side projects; which can be handy if you’re trying to figure out how many people Hans Zimmer has worked on scores with (a lot).

RYM also allows you to tag your collection, which I personally think will come in handy as I’m normally selecting music with a purpose in mind – going to the gym, reading/working background music, 'party' tunes to throw on when people are over, etc. This saves quite a bit of time if you’re trying to figure out what to put on the mp3 player before heading out to the gym, for example. A quick look at my items tagged ‘workout’ will give me a pretty good list of things (it would be even better if I could then sort this tag by rating, but I digress).

I understand RYM also recently started offering Facebook compatibility, but I haven’t played with it too much - my accounts are linked but that's about it. I do know you can log in from your FB page and display various things in your profile (recent ratings, owned records, etc.). They also allow you to export your ratings, but I haven’t seen what they’re compatible with – any media player would be a bonus, as editing ID3 tags just to add ratings is a pain.

Now, I initially kept my registration with RYM somewhat private, assuming most people wouldn’t really care – but every time someone asks me what I’ve been listening to lately (normally looking for something new to check out) I keep staring at them blankly while I try and think of something I’ve heard recently that’s worth passing on. If I'm online, I usually just look at my most recent ratings and go from there. Hopefully, his form of memory retention will also help me remember if I should be checking out whatever hipster flavour-of-the-week is putting out their follow-up album in coming weeks.

My use of RYM may also have an impact on this very blog - I'm considering integrating ratings into the page feed somewhere in the near future, similar to what I've done with Google Reader, but I have some other things I mind for the blog layout that I’d like to finish first. Either way, I wouldn’t expect too many more posts rambling about music in the near future...though if I come across something truly noteworthy I'll likely renege on this.

But next post I'll be tackling a different question: how can you stay on top of new tunes in an era where there’s few different radio stations and no music videos on TV? I’m hoping to provide a toolkit based on what I’ve read about recently, and what I actually use on a regular basis.

August 20, 2008

beyond blogging...

Recently a friend commented on the lack of content I've posted here lately. There are a few reasons for this, but for the most part this has been to do the inefficiency of the blogging medium to the way I've been using the internet over the last year.

I normally read my feeds, then set aside relevant bookmarks to post about. Getting around to post that actual entry is another matter altogether. The idea of bookmark sharing services has always interested me, so when I found out one was integrated into the feed reader I was already using I thought now would be a good time to get on the train.

So, take a look to the right and you'll see things I've recently chosen to 'share' - the best of the best of what I've come across lately online. There's a few kinks I'd like to work out on this one: syndicating this for those who don't visit the page might be tricky, and the comments that I've put in to give the entries some context are only viewable if you click on 'read more' which takes you to the proper shared links page.

This is just one of the many changes I plan to make to this thing as I move into I'm tempted to pretentiously call the 'post-blog' phase of woolcovered dot com. In the next update, I'll be exploring what this means for 'reviewing' music.

July 30, 2008

take it personal...

When chatting with an occasional reader last night, I realized that I haven't really updated things about my professional life in a little while.

I suppose the biggest news I'd have is that I've changed ministries, beginning my second contract with the Ontario government about six weeks ago. I'm now working for the Ministry of Northern Development and Mines (MNDM).

The work is a little different here, because even though I'm in an "issues" unit (which I think I've described here a bit before) my role is a little more versatile. This is largely thanks to this ministry being much smaller than where I started - Community and Social Services is among the bigger ones in this government. Anyway, what this means is that while I have responsibilities in issues, I'm also getting to write communications materials to help out our main office in Sudbury - news releases, speeches and the like.

Things have taken a bit of an unpredictable turn in recent weeks when I was asked if I had any desktop publishing skills. The funny part is, I had taken it upon myself to learn InDesign in my previous post but the opportunity hadn't come up to use it. So a good chunk of my time has been spent working with gradients, graphics and gamuts, trying to balance what goes into a good document template. So all in all, this was a pleasant addition to an already varied portfolio.

I'm interested to see what'll come my way in the next year or so, because I'm already pretty pleased with what has been offered so far.

July 22, 2008

it's better to live one day as a lion, than a thousand years as a lamb...

So, if you were among the folks who wondered what Zack de la Rocha has been up to since Rage Against the Machine, you may be interested to know that he finally released something today.

One Day As A Lion released their debut, self-titled EP today. That's right, his big comeback, 8 years after RATM's breakup, is an EP. Who knows if an album will ever come out of it, as de le Rocha's now touring with a reunited RATM.

In fact, the timing of this seems a little shady to me. I can't help but wonder if he just started touring again to build up some hype to release this on the back of? I guess the only way we'll know is if RATM actually goes back in the studio or not.

Anyway, conspiracy theories or not, the result is pretty interesting. See the playlist, care of imeem. My thoughts are below.


One Day as a Lion - S/T EP

[Note: Some tracks only play 30-second samples when embedded. If you'd like to hear the whole song, follow the link above to the actual imeem playlist site where the tracks should play in full.]

So what we have here is a duo consisting of de la Rocha played keyboards/rapping and Jon Theodore (of the Mars Volta fame) drumming. There's a bit more of an electronic lean, but the tunes don't really sound that far removed from RATM. The drumming is better (sorry Brad Wilk) but the keyboard lines sound just as funky as Tom Morello's trademark guitar riffs. Of course, Morello's always had a knack for making sounds that aren't really associated with guitar, but it doesn't seem like de la Rocha's working that far outside of the box he was in before. After a cursory listen, I have no doubt that RATM could 'cover' these songs.

I guess what I'm trying to say is, is there a point to doing this if RATM does get back together?

July 03, 2008

...is there anybody in there?

Ok, another follow-up entry.

Turns out Girl Talk actually ended up using a pretty cool pricing structure for his new album (though I still prefer what I'd proposed).

Anyway, it breaks down as follows:

any price grants the download of the entire album as high-quality 320kbps mp3s
$5 or more adds the options of FLAC files, plus a one-file seamless mix of the album
$10 or more includes all of the above + a packaged CD (when it becomes available)

So this means for $10 you get the physical copy of the CD with the MP3's to tide you over. Nice!

Also, the wikipedia entry tells me there's a pretty funny prompt if you put in '$0.00':

"I may donate later"
"I can't afford to pay"
"I don't really like Girl Talk"
"I don't believe in paying for music"
"I have already purchased this album"
"I don't value music made from sampling"
"I am part of the press, radio, or music industry"
"other reasons"

I'm curious to know if they'll ever make the results of this makeshift survey public, because that's a pretty comprehensive set of answers. Who knows, if a broad enough cross-section of people were to respond (unlikely) it could serve as a pretty good statement who downloads music (and why)!

Finally, it looks like one of the tracks ("Here's the Thing") has hit the mp3 blogs.

Anyway, next time I'll come back with a 'real' entry. Promise.

June 25, 2008

Following up...

As I'll be moving into my new place very shortly, I think it's about time to give credit where it is due.

Thanks to all those who gave me apartment-hunting tips when I solicited feedback a little while ago. Special shout-out to Chris Clarke, 'cause it turned out that the HousingMaps' Toronto page was where I found the particular listing we ended up settling on.

I'd recommend HousingMaps to anyone looking for a place - it basically pegs craigslist housing entries onto a googlemap. This sort of context is a great time-saver, as most of the time I spend house-hunting is normally devoted to looking up the addresses of the listings on a map anyhow. It seems to cover all of Canada and the US as well.

That's just one of the many great suggestions I had from a few readers, so I'd recommend going back to that entry the next time you find yourself looking for a spot to move into. I know I will.

June 19, 2008

...what was that noise?

Well, between starting my second contract, securing a new place to live and sinking most of my spare time into the subject of this entry, I've neglected to post about the new Metal Gear Solid game.

I initially read some negative press on it, but it seems as though the title's fared very well critically.

Personally, I thought it was one of the best gaming experiences I've ever gone through and enough of a reason to buy a PS3 (some would say it's one of the only reasons, but that's another story). Anyway, I couldn't put it down, and was essentially a recluse for the 21 hours it took to play through the game's five acts.

That said, I did have some things I wasn't entirely fond of. The thing is, there may be solutions to these so maybe someone can fill me in.

The install process. Each 'Act' takes between 3-8 minutes to install before you can start playing. This I really didn't mind - when you're playing it for hours on end, it can be good to be reminded of when you should consider taking a break. What annoyed me is that I didn't seem to be given the option to keep the five acts installed simultaneously. When a roommate started playing through the game, if we were to go back and forth we would have to start each of our sessions with an install. I realize all five could take up a lot of space, but with an 80 GB drive it could probably be spared, so it would at least be nice to be given the option one way or the other.

Only one online account? When Metal Gear Solid 3: Subsistence came out, my roommate and I each had an account, and then we had a third guest account we started up for when people wanted to give the game a whirl. This was ideal, as with skill-based matchmaking a guest probably wouldn't want to log into the account of an owner. But when I signed up for a Konami ID and a Metal Gear Sold 4 'Game ID', I found out I was only provided one freebie of each with the game, and I'd have to purchase a second character if I wanted one. I'm uncertain if you can actually sign up for another Konami ID for free and then go from there with an additional character, but either way this seems a little silly from a 'pick up and play' perspective.

No theatre mode. Pretty much anyone who comes across MGS4 will say it plays like an interactive movie - yet beyond mission briefings there doesn't seem to be a way to just play all the movie clips, even after beating the game. This would be useful both for players who want to go back and reexamine how the excessively complex plot points all fit together, and for folks who want to show off certain scenes for friends without loading up the game at various points and going through the aforementioned install process each time to play through a few minutes of gameplay to reach where a desired cutscene starts.

On that last note, if you're about to play through the game, I'd suggest keeping a lot of saves if you want to go back and see something once you've beat the game!

June 11, 2008

a variation on the new business model...

So it looks like this pay-what-you-want model could be catching on.

Mashup DJ Girl Talk will be releasing his new album, Feed the Animals online before it arrives in a physical format. Given that he has some pretty high-profile summer shows lined up, this may just be a convenient way to get the material into people's heads before the shows happen. Though given the style of music he plays, I'd prefer to go into a show completely blind and just be surprised. For those who are unfamiliar with what separates Girl Talk from the average mashupper, I think Greg Gillis (a.k.a Girl Talk) describes it best himself:

"For the final editing process, I probably worked eight hours a day, Monday through Friday, for about 3 months. I worked very hard to make it sound like I didn't work hard."

Either way, interested listeners should check up on the Illegal Art label site over the next few weeks - there's a very good chance I'll post again when it actually goes up.

But what of this whole release strategy?

Personally, I'm trying to figure out what I'd pay for this. My usual approach is usually to try it for free than by the CD, so I'm not sure I want to pay for this twice. As a result, I can't see myself paying much. Also, will they adhere to Trent Reznor's strategy and let you pick the quality - or just sell lossy, mediocre quality mp3's like Radiohead did?

Personally I think there could be a balance between what Radiohead and Reznor have done that could cater to both markets (people who only want the mp3 along with folks who intend to buy the CD). I like what Reznor did, but there wasn't a (legal) option for folks who weren't quite ready to for the full price (although, at $5, Ghosts I-IV was reasonably priced).

I'm thinking vouchers are the way to go - the money you pledge for the mp3's could be put towards a pre-order of the physical CD. This could all be done via e-mail, basically the below the download code they'll send you after you 'pay-what-you-want' they could also have a link to pre-order the album with your credit discounted from the final price. I would think the best way to approach it would be to make the vouchers pre-order only, so on release day they would expire. Then folks would have a few weeks to consider converting to a full purchase, or just sticking with what they paid.

If the above model was applied, I guarantee I would put more towards it. I'd be curious to know what other folks thought.

June 10, 2008

Wanted: PR person for aging metal band

Wow, here's a lesson in blogger relations.

In short, don't invite them to a listening party and then ask them not to write about what they heard. Especially if they happen to be from a music reviewing blog, and you didn't have them sign a non-disclosure agreement!

Oh Metallica - will they ever learn?

Edit:
Speaking of aging, I've gotta show this pic of Hetfield I came across after posting this. He looks about 800 years old, but it either looks ridiculously awesome in a metal way or ridiculous (this is a distinction I often struggle to make):
james-hetfield.jpg

May 20, 2008

full of beans and big ideas...

I'm pretty sure I've notified all those in my crew who might care about this, but I do know there's at least one East Coaster who checks-in occasionally, so here goes:

Buck 65's performance with Symphony Nova Scotia can be streamed from CBC's concert on demand service.

I'm almost through it now, and it's very enjoyable. If you've seen Buck live before, you'll be happy to hear the familiar in-between-song-banter. He describes himself as "mildly terrified" at the prospect of performing in such a forum. The conductor/composer, Dinuk Wijeratne, also has some humourous anecdotes about the whole collaboration process.

And the music! There's some exclusives here, an original improvisational-based piece, "Hympiece (Remixed)." I've also read that one other track here, "All There is to Say About Love" is from Bike For Three, a forthcoming collaborative project from Buck. And the one's you've already heard? They've never sounded better.

May 08, 2008

there'll always be more stuff to buy...

Here's a nifty little plug-in: Soundamus. You enter your last.fm ID, and an .RSS feed is created of upcoming releases for the groups you listen to. (Hat Tip: Ryan.)

I've been using it for a couple of days now, and it seems to ping all of the Amazon sites to provide the list of things that may be of interest. The only drawback to this approach is that foreign-edition releases for years-old albums get pinged and sent your way. If there was a way to maybe isolate for just Amazon.com/.ca (and not .de, .fr, etc.) it may be more effective for me. A neat way to use .RSS technology for marketing purposes.

It'd be great if this marriage of last.fm and amazon could extend to music ratings. It's always surprised me that last.fm doesn't give a user the option to enter a database of what they like, and how much. I'd think it would be pretty valuable data to them, depending on how widely users bother to rate things.

May 06, 2008

...free as in free beer?

Another free release from Nine Inch Nails. No strings attached, apparently. Get 'The Slip' here.