Alright, so I figure I can throw together another literature review from these notes of mine.
Will Brooker's Batman Unmasked was a book I started with great anticipation. It was near the beginning of my summer, having bought it as the school year was winding down. Towards the end of the year, seeing it on top of that pile of books in my room was a reminder that some day soon I would actually be reading books of my choosing for pleasure.
Anyway, the ironic thing about this one, is that had i read it before I started university, I probably would've been a lot better off. In short, this is a great primer for anyone interested in studying pop culture. I was even going to mention this to Kate at graduation, but in all the hoopla I unfortunately didn't actually get a chance to talk to her.
Anyway, after a brief introduction covering the validity of Baman as a cultural icon (inlcuding a semiotic analysis that any protrayal holds true to), Brooker moves through a timeline to discuss the rest of the Caped Crusader's history:
1. 1939-1945: Origins and Wartime
This section highlights how Batman was not as malleable as his counterparts when it came to acting as war propaganda. The only exception to this rule was in cover images, something which can be seen as 'lip service' that has nothing to do with the plot of the books or character development.
2. 1954: Censorship and Queer Readings
Were Batman and Robin a couple, or did the framework just allow homosexual readers to generate their own interpretation of the text? Intertextual readings are covered here. Secondly, this section serves is a response of sorts to Fredric Wertham's very influential Seduction of the Innocent, a book which factored quite heavily into the negative portrayal of comic books which one could argue is still held today.
3. 1961-1969: Pop and Camp
In this decade, the television series and rampant merchandising provided a different way of looking at the hero. Is it still true to the original myth?
4. 1986-1997: Fandom and Authorship
The four movies (Batman, Batman Returns, Batman Forever, Batman and Robin) are discussed, as is the refiguring of Batman as a 'Dark Knight' by writers such as Frank Miller. I had never really considered whether this portrayal of the man in the black cape was actually a response to these films.
The internet has obviously also provided a far better forum for fostering fanfics, and the reinterpretation that can take place is touched onto here. Also, despite popular belief, Batman actually has a surprisingly muddled authorship, and the significance of this into his iconic status is analyzed.
The end of the book seems to on making a case for cultural studies as a discipline, something which is unfortunately still necessary to do these days. In a related note, there is also a humourous (a snippet on back of the book describes it quite generously as 'hillarious') chapter on what Brooker went through as a minor celebrity following becoming Dr. Batman (his dissertation was on the Caped Crusader).
To break away from this plot synopsis, Brooker's writing style is fairly enjoyable, done so from an involved but still fairly academic perspective. The book is intended largely for those who haven't dealt with these concepts before, which is why I would reccomend it for cultural studies folk and general geeks alike.
I really should've written this review back when I finished is, as I'm sure there's plenty I've forgotten (as I had at least a dozen instances where I said 'damn I wish I had've read this before I took pop culture!').
Will Brooker is currently a professor and his next book is on Star Wars. I'm not sure if I pity him, or if he's my idol.